A Note from Missi About Spiral of Light

Dear families and friends,

We are truly into the darkest days of winter with solstice just ten days away.  Amazingly, it will be lighter when we return from break in January than it is now!  While I find myself longing for the light to return, I am also grateful for the opportunities of reflection that this season offers.  

For me the season really kicks off with the Spiral of Light festival that we celebrated this past Sunday.  For those who haven't had the chance to come yet, imagine a room all in darkness.  In the center of a spiral of evergreen boughs laid on the floor, a candle is lit.  Solitary and dim, it barely begins to light the room.  Everyone sitting around the edges is swathed in darkness.  Our sweet-voiced teachers are singing an array of seasonal songs from both Christian and Jewish traditions: they sing in delicious harmonies in English, German, and French.  Through the singing, family after family walks the spiral to light a candle and set it down on golden paper stars sprinkled among the boughs.  Bit by bit the room becomes filled with a golden glow.  Suddenly, I realize that I can make out the faces of the people sitting across the room from me.  Friends old and new, grown-ups and children.  I am struck by the lovely metaphor that I have just witnessed, articulated in the words of one of the carols being sung: "Each little child shall shed her light, till all the world is warm and bright."

In this season of veritable darkness, I appreciate the unique light that each child and each parent shines into the world.  Thank you for sharing yourselves with this precious school community.

Reflectively yours,

— From our newsletter, December 11, 2018

Dia de los Muertos Celebration in 7th grade

This year our 7th grade class worked on a special project with Maestra Mabí to mark Dia de los Muertos. They each chose someone to remember through a painting or drawing, and they spent some time sharing (in Spanish, of course) about their choice. The resulting art was hung at our local art museum, BIMA, and helped round out the museum’s community-wide celebration.

Lowery Farm Campaign Update: Mark Your Calendars for November 28

Dear Madrona Families,

This is a very exciting time in Madrona School’s history. With our 20th anniversary just around the corner, Madrona School has a unique opportunity to create a legacy of Waldorf education on Bainbridge Island with the purchase of the Lowery Farm property. This very special piece of land has become an integral part of our school’s curriculum and culture, serving as our second kindergarten classroom, providing gardening and outdoor space for our 1st through 8th grade students, and hosting many of our lively school festivities.

Many people in our school community have been hard at work on a long-term plan to purchase the Lowery Farm property with the ultimate goal of building a new home for Madrona school on the site in the years to come. While that is still very much our goal, the reality is that without the farm we could not even continue to serve our current students and families—we quite literally do not have enough rooms in our current building for all of our students!

As we move closer to the 2019 deadline for purchasing the land, many of you have asked where we stand in the process. While the Board and Lowery Farm Acquisition Committee have been hard at work putting into place all the pieces that will go into making this dream a reality, nearly all that work has been “behind the scenes.” We’d like to take this opportunity to share with you our progress and alert you to some upcoming opportunities for greater involvement that we believe will be of interest to you.

To date, the Lowery Farm Acquisition Committee has been meeting weekly to accomplish the following items:

• Explore various financing options for the land purchase

• Develop a timeline for the land acquisition and corresponding capital campaign

• Lay the groundwork for an initial capital campaign focused on the land acquisition, including researching campaign consultants

• Work with the City of Bainbridge Island regarding the additional traffic study requested during the Conditional Use Permit proceedings

• Work with the architect on construction budgets and timelines for each of the three phases

While this is by no means an exhaustive list of all our activities, it does provide a snapshot into the work that has been going on behind the scenes to make Lowery Farm a permanent part of Madrona School’s future.

You can be involved as well! As we transition from planning to launching the campaign, we are looking for volunteers in the areas of construction, finance, fundraising and marketing to serve on active committees. The input from these committees will be crucial to the long-term success of the campaign.

To bring more transparency to the process and share additional details about the upcoming campaign, we hope you’ll join us for a Community Info Night on Wednesday, November 28 from 7-8pm in the EHCC Fellowship Hall. We’ll be presenting information on plans for purchasing the farm property, details on the capital campaign launch, and leave plenty of time for Q&A.

Rudolf Steiner said, “Man is not a being who stands still, he is a being in the process of becoming. The more he enables himself to become, the more he fulfills his true mission.” The success of the campaign and the acquisition of Lowery Farm will enable Madrona School to become more than we ever thought possible and fulfill our mission of bringing the joy of Waldorf education to generations of local families now, and in the future.

Cindy Smith
Chair of the Madrona School Board

Art and Painting at Madrona School

At Madrona School art is infused into every lesson, and children learn artistic techniques that they utilize each and every day. Morning main lessons with a class teacher employ drawing, alongside writing, recitation and movement, and every student creates their own book for each subject and world language. We also teach standalone art classes during specialty class periods, including modeling beeswax and clay, form drawing, and painting with watercolors. We also offer handwork classes, teaching knitting, crochet and embroidery.

Beginning in our early childhood classes, and throughout grade school, students explore color and composition through a “wet on wet” technique, where wet paint is laid onto wet paper. This type of painting creates a wonderful flow of color, and takes time to learn. The results can be unexpected!

By the time our students are in middle school, they have years of drawing, painting, handwork, and a variety of craft experiences to inform their artistic efforts; they further their education with more sculpting, woodwork and perspective drawing. We value art as a human endeavor, and every one of our students is an artist.

Examples from around the school so far this fall: preschool paintings, 1st grade dragon drawings, 1st grade beeswax trees, 2nd grade house drawings, 4th grade form drawing, a 4th grade seasonal Spanish lesson, 5th grade paintings, both from botany and a seasonal still life, a 6th grade main lesson book in geology, 7th grade paintings, an 8th grade history drawing and 8th grade paintings of clouds.

In preparation for parent/teacher conferences, specialty teacher, Dana Ashton wrote a summary of the 6th grade art class to share with parents, and we thought it offered a lovely glimpse into a couple month’s work in one class. See images of their work below.

We began our school year in 6th grade art with wet-on-wet watercolor work and mineralogy.  The first painting was loose in format to help the students warm up their hand/eye coordination and to stress the importance of light and dark contrasts used in middle school art.  We painted a receding cave or tunnel with Prussian Blue, Ultramarine and Red Violet, blending colors and striving to achieve dimension.  Our second painting featured crystals and we added a new color to our palette, blue-green.  Geometric shapes, straight lines, shading, light reflections and some blending of colors were emphasized.  Our third painting used warm colors and indigo along with lots of movement to depict a volcano erupting and lava flowing.  The careful use of indigo or charcoal-colored watercolor pigment was a new experience.  Keeping the illuminated areas of fire and light free from the opaque darkness of solidified, black rock is always a challenge.  

Our fourth painting tied in with the Geometry block and required several weeks to complete, being a veil painting on dry paper and building up layers of shapes and color by using weak pigments.  Most of the students had never tried veil painting and were surprised at how different it is.  We painted crystals again but had to be much more careful about the precision of geometric shapes.  Towards the end of October we started woking with charcoal for the first time and discovered its wonderful properties of mood setting through smudging and blending.  The first charcoal work depicted a Halloween scene and the second piece focused on Roman architecture - The Garni Temple in Armenia.  Next we will return to working with watercolors and paint a Roman aqueduct.